Yacht Rock & Soft Rock
Yacht rock is the smooth, jazz-tinged soft rock that ruled FM radio from about 1976 to 1984, built by Los Angeles session players and sung by the likes of Michael McDonald, Christopher Cross and Kenny Loggins. Its 80s peak includes "Sailing", "Rosanna" and Hall & Oates' "I Can't Go for That".
Relax into the best 80s soft rock and yacht rock songs in one free, continuous playlist of smooth production and lush harmonies. From the polished ballads of Phil Collins and Chicago to the breezy hits of Air Supply and Christopher Cross, this collection soundtracks the decade's mellow, feel-good moments. Hit play for a non-stop stream of classic 1980s soft rock hits, or create your own laid-back playlist.
This Yacht Rock & Soft Rock playlist features 262 songs you can stream free, with no sign-up required. Every track plays in order — or shuffle and skip to jump straight to the songs you want to hear.
How this sound was built
A name invented after the fact
Nobody called it yacht rock at the time. In the late 70s and early 80s this was soft rock, adult contemporary or simply the West Coast sound. The name came in 2005 from J.D. Ryznar's comedy web series Yacht Rock, which imagined Michael McDonald and Kenny Loggins as rival smooth-music superheroes. The joke stuck because it fit.
The yacht part is about the feel as much as the lyrics: sailing imagery, sunsets, expensive leisure, and a mood of relaxed, slightly wistful luxury. Christopher Cross literally sang about sailing, and Bertie Higgins took listeners to Key Largo.
The session players who made it
The real stars were often the musicians behind the singers. A tight circle of Los Angeles session players, including the future members of Toto (Jeff Porcaro, David Paich, Steve Lukather and Steve Porcaro), played on record after record. Producers such as Ted Templeman, Jay Graydon and David Foster chased a spotless, expensive studio sound.
The musical fingerprints are easy to hear once you know them: Fender Rhodes electric piano, jazz chords borrowed from Steely Dan, a light but funky shuffle on the drums, and stacked harmony vocals. Michael McDonald's voice turns up everywhere, including the backing vocals on Christopher Cross's "Ride Like the Wind".
The 1970s half of the story
Yacht rock started in the 70s. Boz Scaggs' Silk Degrees in 1976, Steely Dan's Aja in 1977 and the Doobie Brothers' "What a Fool Believes", a No. 1 in 1979, set the template. That half of the story, from the first smooth grooves to the disco crossover, is covered at Music of the 70s. This page picks up in 1980, when the sound hit its commercial peak.
The 1980s peak
At the Grammy Awards in February 1981, Christopher Cross became the first artist to win Record, Album, Song of the Year and Best New Artist on the same night. Two years later Toto IV won Album of the Year and "Rosanna" won Record of the Year. Hall & Oates, meanwhile, ran up a string of No. 1 hits that blurred soft rock with Philadelphia soul.
The same players were shaping pop at the top. Toto members played on Michael Jackson's Thriller, and Steve Porcaro co-wrote "Human Nature". If you like where that crossover leads, the 80s pop songs playlist and the smoother end of 80s R&B are natural next stops.
Why it faded, and why it came back
By 1984, MTV, drum machines and louder rock had pushed the style off the pop charts. Its players moved on to film themes such as "Glory of Love" and to adult contemporary radio. The revival came decades later, through the web series, a SiriusXM channel and tribute bands that now tour to sold-out crowds.
The playlist above collects the soft rock and yacht rock songs in the catalogue, from the big hits to deep album cuts by Steely Dan and Donald Fagen. To build a longer, calmer mix of your own, open the yacht rock playlist builder.
25 essential tracks
Listed in release order. Tap a title to play it, or play all 25 in a row.
— Ambrosia (1980)
Ambrosia started out as an ambitious progressive rock band, then found their biggest success with this warm, gospel-tinged love song. David Pack's soaring vocal and the layered harmonies carried it to No. 3 in 1980. It is about as pure an example of the West Coast sound as exists.
— Christopher Cross (1980)
An outlaw story told over a driving Latin-tinged groove, with Michael McDonald's unmistakable voice answering Cross on the chorus. It reached No. 2 in 1980 and introduced a singer whose debut album would soon sweep the Grammys. The flute-and-piano arrangement is session-player craft at its finest.
— Christopher Cross (1980)
Slow, shimmering and almost hymn-like, "Sailing" reached No. 1 in August 1980 and won the Grammys for Record and Song of the Year. Its lyric about escape on the open water sums up the genre's whole mood. Many fans still call it the definitive yacht rock song.
— Robbie Dupree (1980)
Robbie Dupree's debut single hit No. 6 in 1980 with a bouncing electric piano and a light, conversational vocal. Its close resemblance to "What a Fool Believes" is a long-running joke among fans, but the song earns its place on its own easy charm.
— Kenny Loggins (1980)
Co-written with Michael McDonald, who also sings on it, "This Is It" reached No. 11 and won Loggins the Grammy for Best Male Pop Vocal Performance. It is the clearest record of the two men's partnership, and a template for the duets and co-writes that ran through the whole genre.
— Daryl Hall & John Oates (1980)
Built on a bright piano figure and a simple, crisp beat, "Kiss on My List" spent three weeks at No. 1 in the spring of 1981. It opened the duo's great run of chart-toppers and showed how easily blue-eyed soul and soft rock could share a single.
— Steely Dan (1980)
From Gaucho, Steely Dan's last album before a two-decade break, "Hey Nineteen" reached No. 10 in early 1981. Walter Becker and Donald Fagen hide a wry lyric about an older man and a much younger woman inside a groove so polished it almost glows.
— Christopher Cross (1981)
Written with Burt Bacharach, Carole Bayer Sager and Peter Allen for the Dudley Moore comedy Arthur, it spent three weeks at No. 1 and won the Academy Award for Best Original Song. Cross's high, gentle tenor made the moon-and-New York-City chorus instantly recognizable.
— Bertie Higgins (1981)
A Florida singer's tribute to Humphrey Bogart and Lauren Bacall, "Key Largo" climbed to No. 8 in early 1982. With its island setting and old-Hollywood romance, it is almost a yacht rock parody played completely straight, and that sincerity is exactly why it lasts.
— Stevie Nicks & Don Henley (1981)
Stevie Nicks originally wrote this duet for Waylon Jennings and Jessi Colter, then kept it and cut it with Don Henley for Bella Donna. It reached No. 6 in early 1982. The two voices, one husky and one airy, make a gentle song about opposites feel convincing.
— Daryl Hall & John Oates (1981)
Started from a preset rhythm on a Roland drum machine, this slinky groove reached No. 1 on both the Hot 100 and the R&B chart. It is the moment yacht rock met early electronic soul, and it has since been sampled and covered by artists from De La Soul onward.
— Fleetwood Mac (1982)
Christine McVie's lilting love song, sung with Lindsey Buckingham, spent seven weeks at No. 4 in 1982. The arrangement is classic Fleetwood Mac, all bright guitars and stacked harmonies, and its breezy mood made it a natural fit for the soft rock radio of the day.
— Chicago (1982)
Producer David Foster helped reinvent Chicago as a ballad band, and this Peter Cetera showcase spent two weeks at No. 1 in 1982. Its big piano chords and pleading vocal set the pattern for a decade of soft rock ballads that followed.
— Michael McDonald (1982)
Michael McDonald's first solo single reached No. 4, riding one of the most elastic bass grooves in the genre. That groove got a second life in 1994 when Warren G and Nate Dogg built "Regulate" around it, introducing McDonald to a whole new generation.
— Donald Fagen (1982)
The opening track of The Nightfly, one of the early fully digital pop albums, imagines the bright future promised in the late 1950s. It reached No. 26, but its crisp production and sly optimism have made it a favourite of audiophiles and yacht rock fans alike.
— Toto (1982)
Jeff Porcaro's half-time shuffle drum pattern is studied by drummers to this day. "Rosanna" spent five weeks at No. 2 and won the Grammy for Record of the Year. It is the clearest showcase of the session players who built the entire yacht rock sound.
— Kenny Loggins (1982)
Written with David Foster and Michael McDonald, "Heart to Heart" is a smooth, jazzy ballad that reached No. 15. It is one of the purest yacht rock records Loggins made before he became the voice of 80s movie soundtracks with "Footloose" and "Danger Zone".
— America (1982)
America's comeback hit was written by Russ Ballard, and it gave the 70s folk-rock trio a No. 8 single in 1982. The chiming guitars and easy harmonies show how older soft rock acts adapted to the cleaner, brighter production style of the early 80s.
— Steve Winwood (1982)
The original 1982 single stalled at No. 70, but a 1987 remix by Tom Lord-Alge climbed to No. 9. Winwood's soulful vocal over bright synths shows yacht rock drifting toward mid-80s pop. The song found yet another audience when Eric Prydz sampled it for "Call on Me".
— Michael Jackson (1983)
Written by Toto's Steve Porcaro with lyricist John Bettis, and played by Toto members, "Human Nature" is Thriller's most yacht-rock moment. It reached No. 7 in 1983. Its gentle synth figure and dreamy vocal prove the West Coast sound could sit at the heart of the biggest album ever.
— Daryl Hall & John Oates (1983)
One of two new songs on the Rock 'n Soul Part 1 greatest-hits album, "Say It Isn't So" spent four weeks at No. 2 over the 1983 holidays. Its choppy, synth-driven groove captures Hall & Oates at the exact point where soft rock turned into sleek 80s pop.
— James Ingram & Michael McDonald (1983)
Produced by Quincy Jones, this duet paired James Ingram's gospel power with Michael McDonald's smoky baritone. It reached No. 19 and won the 1985 Grammy for Best R&B Performance by a Duo or Group with Vocals, proof of how close yacht rock always stood to soul.
— Michael McDonald (1986)
Written by Rod Temperton for the Billy Crystal and Gregory Hines film Running Scared, "Sweet Freedom" reached No. 7 in 1986. It shows the yacht rock voice adapting to glossy, synth-heavy mid-80s production while keeping the warmth that made McDonald the genre's defining singer.
— Peter Cetera (1986)
Peter Cetera's first big solo hit after leaving Chicago was the theme from The Karate Kid Part II. It spent two weeks at No. 1 in 1986 and earned an Oscar nomination for Best Original Song. It is soft rock balladry at its most sweeping and sentimental.
— The Doobie Brothers (1989)
The reunited Doobie Brothers returned with Tom Johnston on lead vocals and a chugging rock groove that reached No. 9 in 1989. It is less smooth than their McDonald-era hits, but it closes the decade by bringing one of yacht rock's founding bands back to the Top 10.
Where to go next
Frequently Asked Questions
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| # | Title | Artist | Year |
|---|---|---|---|
| 1 | Ride Like the Wind | Christopher Cross | 1980 |
| 2 | Never Be the Same | Christopher Cross | 1980 |
| 3 | Say You'll Be Mine | Christopher Cross | 1981 |
| 4 | Arthur's Theme (Best That You Can Do) | Christopher Cross | 1981 |
| 5 | All Right | Christopher Cross | 1983 |
| 6 | No Time for Talk | Christopher Cross | 1983 |
| 7 | Think of Laura | Christopher Cross | 1983 |
| 8 | A Chance for Heaven | Christopher Cross | 1984 |
| 9 | Charm the Snake | Christopher Cross | 1985 |
| 10 | This Is It | Kenny Loggins | 1980 |
| 11 | Heart to Heart | Kenny Loggins | 1982 |
| 12 | Don't Fight It | Kenny Loggins & Steve Perry | 1982 |
| 13 | Welcome to Heartlight | Kenny Loggins | 1983 |
| 14 | I'm Alright | Kenny Loggins | 1980 |
| 15 | Footloose | Kenny Loggins | 1984 |
| 16 | Meet Me Half Way | Kenny Loggins | 1987 |
| 17 | Nobody's Fool | Kenny Loggins | 1988 |
| 18 | I Keep Forgettin' (Every Time You're Near) | Michael McDonald | 1982 |
| 19 | Yah Mo B There | James Ingram & Michael McDonald | 1983 |
| 20 | Sweet Freedom | Michael McDonald | 1986 |
| 21 | No Lookin' Back | Michael McDonald | 1985 |
| 22 | Our Love | Michael McDonald | 1982 |
| 23 | Bad Times | Michael McDonald | 1985 |
| 24 | Take It to Heart | Michael McDonald | 1989 |
| 25 | Real Love | The Doobie Brothers | 1980 |
| 26 | One Step Closer | The Doobie Brothers | 1980 |
| 27 | Wynken, Blynken & Nod | The Doobie Brothers | 1981 |
| 28 | Keep This Train A-Rollin' | The Doobie Brothers | 1980 |
| 29 | The Doctor | The Doobie Brothers | 1989 |
| 30 | One Chain (Don't Make No Prison) | The Doobie Brothers | 1980 |
| 31 | Hey Nineteen | Steely Dan | 1980 |
| 32 | Time Out of Mind | Steely Dan | 1980 |
| 33 | Babylon Sisters | Steely Dan | 1980 |
| 34 | Third World Man | Steely Dan | 1980 |
| 35 | Gaucho | Steely Dan | 1980 |
| 36 | Glamour Profession | Steely Dan | 1980 |
| 37 | I.G.Y. (What a Beautiful World) | Donald Fagen | 1982 |
| 38 | New Frontier | Donald Fagen | 1982 |
| 39 | The Nightfly | Donald Fagen | 1982 |
| 40 | Maxine | Donald Fagen | 1982 |
| 41 | Ruby Baby | Donald Fagen | 1982 |
| 42 | Walk Between Raindrops | Donald Fagen | 1982 |
| 43 | Green Flower Street | Donald Fagen | 1982 |
| 44 | Kiss on My List | Daryl Hall & John Oates | 1980 |
| 45 | You Make My Dreams | Daryl Hall & John Oates | 1980 |
| 46 | Private Eyes | Daryl Hall & John Oates | 1981 |
| 47 | I Can't Go for That (No Can Do) | Daryl Hall & John Oates | 1981 |
| 48 | Did It in a Minute | Daryl Hall & John Oates | 1982 |
| 49 | Maneater | Daryl Hall & John Oates | 1982 |
| 50 | One on One | Daryl Hall & John Oates | 1983 |
| 51 | Family Man | Daryl Hall & John Oates | 1983 |
| 52 | Say It Isn't So | Daryl Hall & John Oates | 1983 |
| 53 | Adult Education | Daryl Hall & John Oates | 1984 |
| 54 | Out of Touch | Daryl Hall & John Oates | 1984 |
| 55 | Method of Modern Love | Daryl Hall & John Oates | 1985 |
| 56 | Some Things Are Better Left Unsaid | Daryl Hall & John Oates | 1985 |
| 57 | Possession Obsession | Daryl Hall & John Oates | 1985 |
| 58 | Everything Your Heart Desires | Daryl Hall & John Oates | 1988 |
| 59 | Missed Opportunity | Daryl Hall & John Oates | 1988 |
| 60 | Downtown Life | Daryl Hall & John Oates | 1988 |
| 61 | Dreamtime | Daryl Hall | 1986 |
| 62 | Foolish Pride | Daryl Hall | 1986 |
| 63 | Waiting for Your Love | Toto | 1982 |
| 64 | 99 | Toto | 1980 |
| 65 | Live for Today | Toto | 1981 |
| 66 | Without Your Love | Toto | 1986 |
| 67 | Stop Loving You | Toto | 1988 |
| 68 | Holyanna | Toto | 1984 |
| 69 | Hard to Say I'm Sorry | Chicago | 1982 |
| 70 | Love Me Tomorrow | Chicago | 1982 |
| 71 | Stay the Night | Chicago | 1984 |
| 72 | You're the Inspiration | Chicago | 1984 |
| 73 | Along Comes a Woman | Chicago | 1985 |
| 74 | Will You Still Love Me? | Chicago | 1986 |
| 75 | If She Would Have Been Faithful... | Chicago | 1987 |
| 76 | You're Not Alone | Chicago | 1989 |
| 77 | What Kind of Man Would I Be? | Chicago | 1989 |
| 78 | Glory of Love | Peter Cetera | 1986 |
| 79 | The Next Time I Fall | Peter Cetera & Amy Grant | 1986 |
| 80 | One Good Woman | Peter Cetera | 1988 |
| 81 | Best of Times | Peter Cetera | 1988 |
| 82 | After All | Peter Cetera & Cher | 1989 |
| 83 | Lost in Love | Air Supply | 1980 |
| 84 | All Out of Love | Air Supply | 1980 |
| 85 | Every Woman in the World | Air Supply | 1980 |
| 86 | The One That You Love | Air Supply | 1981 |
| 87 | Here I Am (Just When I Thought I Was Over You) | Air Supply | 1981 |
| 88 | Even the Nights Are Better | Air Supply | 1982 |
| 89 | Young Love | Air Supply | 1982 |
| 90 | Two Less Lonely People in the World | Air Supply | 1982 |
| 91 | Making Love Out of Nothing at All | Air Supply | 1983 |
| 92 | Just as I Am | Air Supply | 1985 |
| 93 | The Power of Love | Air Supply | 1985 |
| 94 | Lonely Is the Night | Air Supply | 1986 |
| 95 | One More Chance | Air Supply | 1986 |
| 96 | Hold Me | Fleetwood Mac | 1982 |
| 97 | Gypsy | Fleetwood Mac | 1982 |
| 98 | Love in Store | Fleetwood Mac | 1982 |
| 99 | Oh Diane | Fleetwood Mac | 1982 |
| 100 | Big Love | Fleetwood Mac | 1987 |
| 101 | Seven Wonders | Fleetwood Mac | 1987 |
| 102 | Isn't It Midnight | Fleetwood Mac | 1988 |
| 103 | As Long as You Follow | Fleetwood Mac | 1988 |
| 104 | Family Man | Fleetwood Mac | 1987 |
| 105 | Trouble | Lindsey Buckingham | 1981 |
| 106 | Go Insane | Lindsey Buckingham | 1984 |
| 107 | Edge of Seventeen | Stevie Nicks | 1981 |
| 108 | Stop Draggin' My Heart Around | Stevie Nicks & Tom Petty | 1981 |
| 109 | Leather and Lace | Stevie Nicks & Don Henley | 1981 |
| 110 | Stand Back | Stevie Nicks | 1983 |
| 111 | If Anyone Falls | Stevie Nicks | 1983 |
| 112 | Talk to Me | Stevie Nicks | 1985 |
| 113 | I Can't Wait | Stevie Nicks | 1986 |
| 114 | Rooms on Fire | Stevie Nicks | 1989 |
| 115 | Her Town Too | James Taylor & J.D. Souther | 1981 |
| 116 | Hard Times | James Taylor | 1981 |
| 117 | Everyday | James Taylor | 1985 |
| 118 | That's Why I'm Here | James Taylor | 1985 |
| 119 | Only One | James Taylor | 1985 |
| 120 | Never Die Young | James Taylor | 1988 |
| 121 | Baby Boom Baby | James Taylor | 1988 |
| 122 | Late in the Evening | Paul Simon | 1980 |
| 123 | One-Trick Pony | Paul Simon | 1980 |
| 124 | You Can Call Me Al | Paul Simon | 1986 |
| 125 | Graceland | Paul Simon | 1986 |
| 126 | The Boy in the Bubble | Paul Simon | 1986 |
| 127 | Diamonds on the Soles of Her Shoes | Paul Simon | 1986 |
| 128 | Under African Skies | Paul Simon | 1986 |
| 129 | It's Still Rock and Roll to Me | Billy Joel | 1980 |
| 130 | Don't Ask Me Why | Billy Joel | 1980 |
| 131 | You May Be Right | Billy Joel | 1980 |
| 132 | She's Got a Way (Live) | Billy Joel | 1981 |
| 133 | Pressure | Billy Joel | 1982 |
| 134 | Allentown | Billy Joel | 1982 |
| 135 | Goodnight Saigon | Billy Joel | 1983 |
| 136 | Tell Her About It | Billy Joel | 1983 |
| 137 | Uptown Girl | Billy Joel | 1983 |
| 138 | An Innocent Man | Billy Joel | 1983 |
| 139 | The Longest Time | Billy Joel | 1984 |
| 140 | Leave a Tender Moment Alone | Billy Joel | 1984 |
| 141 | Keeping the Faith | Billy Joel | 1984 |
| 142 | A Matter of Trust | Billy Joel | 1986 |
| 143 | Modern Woman | Billy Joel | 1986 |
| 144 | This Is the Time | Billy Joel | 1986 |
| 145 | Baby Grand | Billy Joel & Ray Charles | 1987 |
| 146 | We Didn't Start the Fire | Billy Joel | 1989 |
| 147 | I Go to Extremes | Billy Joel | 1989 |
| 148 | Little Jeannie | Elton John | 1980 |
| 149 | Chloe | Elton John | 1981 |
| 150 | Blue Eyes | Elton John | 1982 |
| 151 | Empty Garden (Hey Hey Johnny) | Elton John | 1982 |
| 152 | I'm Still Standing | Elton John | 1983 |
| 153 | I Guess That's Why They Call It the Blues | Elton John | 1983 |
| 154 | Sad Songs (Say So Much) | Elton John | 1984 |
| 155 | Nikita | Elton John | 1985 |
| 156 | Wrap Her Up | Elton John | 1985 |
| 157 | Candle in the Wind (Live) | Elton John | 1987 |
| 158 | A Word in Spanish | Elton John | 1988 |
| 159 | Healing Hands | Elton John | 1989 |
| 160 | Sacrifice | Elton John | 1989 |
| 161 | Jesse | Carly Simon | 1980 |
| 162 | Why | Carly Simon | 1982 |
| 163 | Coming Around Again | Carly Simon | 1986 |
| 164 | Give Me All Night | Carly Simon | 1987 |
| 165 | The Stuff That Dreams Are Made Of | Carly Simon | 1987 |
| 166 | All I Want Is You | Carly Simon | 1987 |
| 167 | Let the River Run | Carly Simon | 1988 |
| 168 | Jojo | Boz Scaggs | 1980 |
| 169 | Look What You've Done to Me | Boz Scaggs | 1980 |
| 170 | Miss Sun | Boz Scaggs | 1980 |
| 171 | Heart of Mine | Boz Scaggs | 1988 |
| 172 | Cool Running | Boz Scaggs | 1988 |
| 173 | Love on the Rocks | Neil Diamond | 1980 |
| 174 | Hello Again | Neil Diamond | 1981 |
| 175 | America | Neil Diamond | 1981 |
| 176 | Yesterday's Songs | Neil Diamond | 1981 |
| 177 | Heartlight | Neil Diamond | 1982 |
| 178 | I'm Alive | Neil Diamond | 1983 |
| 179 | Turn Around | Neil Diamond | 1984 |
| 180 | Headed for the Future | Neil Diamond | 1986 |
| 181 | I Made It Through the Rain | Barry Manilow | 1980 |
| 182 | The Old Songs | Barry Manilow | 1981 |
| 183 | Somewhere Down the Road | Barry Manilow | 1981 |
| 184 | Read 'Em and Weep | Barry Manilow | 1983 |
| 185 | Some Kind of Friend | Barry Manilow | 1983 |
| 186 | When October Goes | Barry Manilow | 1984 |
| 187 | Brooklyn Blues | Barry Manilow | 1987 |
| 188 | You Can Do Magic | America | 1982 |
| 189 | Right Before Your Eyes | America | 1982 |
| 190 | The Border | America | 1983 |
| 191 | Special Girl | America | 1984 |
| 192 | Key Largo | Bertie Higgins | 1981 |
| 193 | Just Another Day in Paradise | Bertie Higgins | 1982 |
| 194 | Casablanca | Bertie Higgins | 1982 |
| 195 | Steal Away | Robbie Dupree | 1980 |
| 196 | Hot Rod Hearts | Robbie Dupree | 1980 |
| 197 | Brooklyn Girls | Robbie Dupree | 1981 |
| 198 | Biggest Part of Me | Ambrosia | 1980 |
| 199 | You're the Only Woman (You & I) | Ambrosia | 1980 |
| 200 | How Can You Love Me | Ambrosia | 1982 |
| 201 | The Night Owls | Little River Band | 1981 |
| 202 | Take It Easy on Me | Little River Band | 1981 |
| 203 | Man on Your Mind | Little River Band | 1982 |
| 204 | The Other Guy | Little River Band | 1982 |
| 205 | We Two | Little River Band | 1983 |
| 206 | You're Driving Me Out of My Mind | Little River Band | 1983 |
| 207 | Down on the Border | Little River Band | 1982 |
| 208 | Longer | Dan Fogelberg | 1980 |
| 209 | Same Old Lang Syne | Dan Fogelberg | 1980 |
| 210 | Hard to Say | Dan Fogelberg | 1981 |
| 211 | Leader of the Band | Dan Fogelberg | 1981 |
| 212 | Run for the Roses | Dan Fogelberg | 1982 |
| 213 | Missing You | Dan Fogelberg | 1982 |
| 214 | Make Love Stay | Dan Fogelberg | 1983 |
| 215 | The Language of Love | Dan Fogelberg | 1984 |
| 216 | Believe in Me | Dan Fogelberg | 1984 |
| 217 | Lonely in Love | Dan Fogelberg | 1987 |
| 218 | Living Inside Myself | Gino Vannelli | 1981 |
| 219 | Nightwalker | Gino Vannelli | 1981 |
| 220 | Black Cars | Gino Vannelli | 1984 |
| 221 | Hurts to Be in Love | Gino Vannelli | 1985 |
| 222 | Wild Horses | Gino Vannelli | 1987 |
| 223 | It Might Be You | Stephen Bishop | 1982 |
| 224 | Save It for a Rainy Day | Stephen Bishop | 1980 |
| 225 | If Love Takes You Away | Stephen Bishop | 1980 |
| 226 | Open Your Eyes | Bobby Caldwell | 1980 |
| 227 | Coming Down from Love | Bobby Caldwell | 1980 |
| 228 | Jamaica | Bobby Caldwell | 1982 |
| 229 | All or Nothing at All | Bobby Caldwell | 1982 |
| 230 | Heart of the Night | Poco | 1980 |
| 231 | Under the Gun | Poco | 1980 |
| 232 | Call It Love | Poco | 1989 |
| 233 | Nothin' to Hide | Poco | 1989 |
| 234 | The One You Love | Glenn Frey | 1982 |
| 235 | I Found Somebody | Glenn Frey | 1982 |
| 236 | Smuggler's Blues | Glenn Frey | 1984 |
| 237 | You Belong to the City | Glenn Frey | 1985 |
| 238 | True Love | Glenn Frey | 1988 |
| 239 | Livin' Right | Glenn Frey | 1989 |
| 240 | Not Enough Love in the World | Don Henley | 1985 |
| 241 | The Last Worthless Evening | Don Henley | 1989 |
| 242 | New York Minute | Don Henley | 1989 |
| 243 | All Night Long | Joe Walsh | 1980 |
| 244 | A Life of Illusion | Joe Walsh | 1981 |
| 245 | While You See a Chance | Steve Winwood | 1980 |
| 246 | Arc of a Diver | Steve Winwood | 1981 |
| 247 | Night Train | Steve Winwood | 1981 |
| 248 | Valerie | Steve Winwood | 1982 |
| 249 | Dreams | Fleetwood Mac | 1977 |
| 250 | Fast Car | Tracy Chapman | 1988 |
| 251 | Danny's Song | Loggins & Messina | 1971 |
| 252 | Luka | Suzanne Vega | 1987 |
| 253 | The Way It Is | Bruce Hornsby and the Range | 1986 |
| 254 | The Lady in Red | Chris de Burgh | 1986 |
| 255 | Roll With It | Steve Winwood | 1988 |
| 256 | Baby, I Love Your Way / Freebird Medley (Free Baby) | Will to Power | 1989 |
| 257 | Up Where We Belong | Joe Cocker & Jennifer Warnes | 1982 |
| 258 | Don't Know Much | Linda Ronstadt & Aaron Neville | 1989 |
| 259 | Hungry Eyes | Eric Carmen | 1987 |
| 260 | Times Like These | Dan Fogelberg | 1980 |
| 261 | Hearts Against the Wind | Linda Ronstadt & J.D. Souther | 1980 |
| 262 | This Night | Billy Joel | 1983 |