80s Hits
The biggest 80s hits are the songs that topped the charts and never left the radio: Michael Jackson's "Billie Jean", The Police's "Every Breath You Take", Bon Jovi's "Livin' on a Prayer" and Whitney Houston's "I Wanna Dance with Somebody". This mix blends pop, rock, new wave and country into one non-stop playlist.
This is the ultimate 80s hits playlist — a free, non-stop mix of the biggest and most beloved songs the decade gave us, all in one place. It pulls the very best 80s hits across every genre, from megastar pop and arena rock to new wave, country crossovers, and soul, then blends them together so no two songs from the same artist play back to back. Hit play for a continuous stream of classic 1980s hits, or add your favorites to build your own playlist.
This 80s Hits playlist features 85 songs you can stream free, with no sign-up required. Every track plays in order — or shuffle and skip to jump straight to the songs you want to hear.
How this sound was built
What made a song an 80s hit
In the 1980s a hit was measured on the Billboard Hot 100, which combined record sales with radio airplay. Top 40 radio was the gatekeeper, and every Sunday Casey Kasem's American Top 40 counted the week's biggest songs down for millions of listeners. A song had to grab you in the first few seconds, because that was all a program director would give it.
That pressure produced some of the tightest, catchiest records ever made. Big choruses arrived early, intros were short, and a great hook could carry a song from a club, a movie or a country station all the way to No. 1.
MTV and the soundtrack boom
After 1981, MTV gave hits a second life on screen. A strong video could break an act almost overnight, as a-ha found with "Take On Me" and Dire Straits with "Money for Nothing". Visual acts like Madonna, Duran Duran and Cyndi Lauper built careers on it.
Hollywood joined in. "Eye of the Tiger" came from Rocky III, "9 to 5" from the Dolly Parton comedy of the same name, and soundtracks such as Footloose, Top Gun and Dirty Dancing became chart events of their own. In 1984 the Footloose soundtrack even replaced Thriller at No. 1 on the album chart.
Hits from every direction
The decade's charts were unusually open. Country stars crossed over, with Dolly Parton and Kenny Rogers taking the Bee Gees-written "Islands in the Stream" to No. 1 on both the pop and country charts. British synth bands, Canadian rockers like Bryan Adams, and Norway's a-ha all topped the American chart.
Hard rock got there too. Bon Jovi, Def Leppard, Whitesnake and Guns N' Roses turned stadium anthems into pop hits by the end of the decade, and you can hear that whole story on the 80s rock and roll playlist. The glossier side of the same charts lives on the 80s pop songs page.
Why these songs never went away
Most hits fade after a year or two. These did not. Classic hits radio, karaoke nights, sports arenas and wedding receptions kept them in constant rotation, and film and TV keep reviving them. Journey's "Don't Stop Believin'" found a new generation after closing The Sopranos in 2007, and Toto's "Africa" became an online obsession decades after it topped the chart.
Part of the reason is simple: these songs were built to be sung by a crowd. The choruses are big, the words are easy to remember, and almost everyone already knows them.
How this mix is put together
The mix above is a hand-picked set of the decade's most-loved songs across every genre on the site, arranged so that no artist plays twice in a row. It is built for background listening, parties and road trips. If you want the landmark songs that changed music rather than the biggest singalongs, start with the best 80s songs instead. Every pick follows the site's song selection rules, and you can build a mix of your own on the custom 80s playlist page.
25 essential tracks
Listed in release order. Tap a title to play it, or play all 25 in a row.
— Queen (1980)
John Deacon's bass line is the whole song, and Michael Jackson was among those who urged Queen to release it as a single. It spent three weeks at No. 1 in 1980 and crossed over to the R&B chart, a rare feat for a British rock band.
— Dolly Parton (1980)
Dolly Parton wrote the theme for the office comedy she starred in and famously clacked her acrylic nails together to mimic a typewriter. It topped both the Hot 100 and the country chart in early 1981, won two Grammys and earned an Oscar nomination. It is still the anthem of every workday.
— Rick Springfield (1981)
An Australian actor then starring on the soap General Hospital, Rick Springfield scored a two-week No. 1 in 1981 with this tale of envy. The chiming guitar riff and shout-along chorus won him the Grammy for Best Male Rock Vocal Performance and a permanent place on 80s radio.
— Kim Carnes (1981)
Kim Carnes' husky voice and a moody synth arrangement turned a 1974 album track into a smash. It spent nine weeks at No. 1, was Billboard's top single of 1981, and won the Grammys for Record and Song of the Year. Bette Davis herself reportedly loved it.
— Journey (1981)
It only reached No. 9 in 1981, but no 80s song has had a bigger second life. Jonathan Cain's opening piano riff is instantly recognizable, and the song's appearance in the final scene of The Sopranos in 2007 turned it into a singalong for a whole new generation.
— Survivor (1982)
Written at Sylvester Stallone's request for Rocky III, "Eye of the Tiger" spent six weeks at No. 1 in 1982. Its palm-muted guitar riff became the sound of every training montage since. It also won the Grammy for Best Rock Performance by a Duo or Group and earned an Oscar nomination.
— John Mellencamp (1982)
Released when he still went by John Cougar, this "little ditty" about two small-town teenagers spent four weeks at No. 1 in 1982. The handclaps, acoustic strum and sudden drum crash made it a heartland rock landmark, and it is still a fixture at summer barbecues.
— Toto (1982)
Toto's keyboard-driven ode to a place the songwriter had never visited reached No. 1 in February 1983. Its marimba-like synths and huge chorus made it a soft-rock staple, and decades later a fan campaign led Weezer to cover it in 2018, proof of its lasting pull.
— Michael Jackson (1983)
That bass line and Quincy Jones' spare production made "Billie Jean" a seven-week No. 1. Its video became one of the first by a Black artist in heavy MTV rotation, and Jackson's moonwalk during the song on the Motown 25 TV special in 1983 made it pop history.
— The Police (1983)
Often played at weddings, it is really about obsession, as Sting has pointed out many times. It spent eight weeks at No. 1, was Billboard's top single of 1983 and won the Grammy for Song of the Year. Andy Summers' guitar part is one of rock's most copied.
— Bonnie Tyler (1983)
Jim Steinman wrote and produced this seven-minute epic, which Bonnie Tyler delivers with her raspy, all-in vocal. It spent four weeks at No. 1 in 1983. Few power ballads are as dramatic, and its "turn around" chorus remains a karaoke rite of passage.
— Dolly Parton & Kenny Rogers (1983)
Written by the Bee Gees and produced by Barry Gibb, this duet topped both the Hot 100 and the country chart in 1983. The warm chemistry between Dolly Parton and Kenny Rogers made it one of the best-loved crossover hits ever, and it is still a duet favourite.
— Cyndi Lauper (1984)
Co-written with Rob Hyman of the Hooters, this tender ballad showed a softer side of Cyndi Lauper and became her first No. 1, spending two weeks at the top in 1984. Miles Davis later recorded an instrumental version and played it in concert for years.
— Wham! (1984)
George Michael took the title from a note Andrew Ridgeley left for his parents. The bouncy Motown-style throwback spent three weeks at No. 1 in the US in late 1984 and made Wham! stars in America. Its oversized "Choose Life" T-shirt video defined a look.
— Bryan Adams (1985)
Canadian Bryan Adams and co-writer Jim Vallance turned nostalgia for a first band into a heartland rock anthem. From the album Reckless, it reached No. 5 in 1985. The ringing guitars and that first-real-six-string opening line make it a campfire and bar-band staple.
— Katrina & the Waves (1985)
Horns, a galloping beat and Katrina Leskanich's joyful shout made this the most cheerful song of 1985. It peaked at No. 9, but it has since become the default soundtrack for good news in films, commercials and TV. Nothing else from the decade sounds this happy.
— Dire Straits (1985)
Mark Knopfler's crunching riff, Sting's falsetto "I want my MTV" and a pioneering computer-animated video made this a three-week No. 1 in 1985. Its album, Brothers in Arms, became one of the first to sell a million copies on compact disc.
— a-ha (1985)
It took several releases before the Norwegian trio broke through, but the pencil-sketch video made "Take On Me" a No. 1 in October 1985. Morten Harket's soaring falsetto and the bright synth riff make it a strong candidate for the most 80s song ever.
— Bon Jovi (1986)
Tommy and Gina's working-class love story, co-written with Desmond Child, spent four weeks at No. 1 in early 1987. Richie Sambora's talk box and the key change into the final chorus turn every crowd into a choir. It is the ultimate 80s arena singalong.
— Europe (1986)
The Swedish band's opening synth fanfare is one of the most recognizable intros ever recorded. "The Final Countdown" topped the charts across much of Europe and reached No. 8 in the US. It is now a staple of sports arenas, where it announces every big moment.
— Whitesnake (1987)
David Coverdale re-recorded a 1982 Whitesnake song with a polished, radio-ready sound, and it went to No. 1 in 1987. The video, with Tawny Kitaen dancing across two Jaguars, was an MTV fixture and helped make it the definitive hair-metal power ballad.
— Whitney Houston (1987)
Whitney Houston's joyful dance-pop hit spent two weeks at No. 1 and won the Grammy for Best Female Pop Vocal Performance. It was part of her record run of seven consecutive No. 1 singles between 1985 and 1988, and it still fills every dance floor.
— Def Leppard (1987)
Written late in the sessions for Hysteria, this stomping, heavily layered anthem climbed to No. 2 in 1988 once club DJs and MTV caught on to it. Producer Mutt Lange's wall of vocals and drummer Rick Allen's electronic kit gave it a sound all its own.
— Guns N' Roses (1988)
Slash's famous opening riff reportedly began as a warm-up exercise that the rest of the band turned into a song. It became Guns N' Roses' only US No. 1 in 1988 and showed that the most dangerous band in rock could also write a heartfelt love song.
— Madonna (1989)
Gospel choir, rock guitar and dance-pop rhythm collide in Madonna's most ambitious single. It spent three weeks at No. 1 in 1989, and its video caused such controversy that Pepsi dropped the ad campaign built around it. It closed the decade on a high.
Where to go next
Frequently Asked Questions
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| # | Title | Artist | Year |
|---|---|---|---|
| 1 | Tom Sawyer | Rush | 1981 |
| 2 | Sweet Child o' Mine | Guns N' Roses | 1988 |
| 3 | Summer of '69 | Bryan Adams | 1985 |
| 4 | Here I Go Again | Whitesnake | 1987 |
| 5 | Kokomo | The Beach Boys | 1988 |
| 6 | Your Love | The Outfield | 1985 |
| 7 | Eye of the Tiger | Survivor | 1982 |
| 8 | Don't Stop Believin' | Journey | 1981 |
| 9 | Every Breath You Take | The Police | 1983 |
| 10 | Billie Jean | Michael Jackson | 1983 |
| 11 | I Love Rock 'n' Roll | Joan Jett & the Blackhearts | 1982 |
| 12 | Beat It | Michael Jackson | 1983 |
| 13 | I'm Still Standing | Elton John | 1983 |
| 14 | You Shook Me All Night Long | AC/DC | 1980 |
| 15 | 9 to 5 | Dolly Parton | 1980 |
| 16 | Free Fallin' | Tom Petty | 1989 |
| 17 | Islands in the Stream | Dolly Parton & Kenny Rogers | 1983 |
| 18 | Africa | Toto | 1982 |
| 19 | Jack & Diane | John Mellencamp | 1982 |
| 20 | Fishin' in the Dark | Nitty Gritty Dirt Band | 1987 |
| 21 | Another One Bites the Dust | Queen | 1980 |
| 22 | The Boys of Summer | Don Henley | 1984 |
| 23 | Total Eclipse of the Heart | Bonnie Tyler | 1983 |
| 24 | In the Air Tonight | Phil Collins | 1981 |
| 25 | I Won't Back Down | Tom Petty | 1989 |
| 26 | Under Pressure | Queen & David Bowie | 1981 |
| 27 | Dancing in the Dark | Bruce Springsteen | 1984 |
| 28 | Pour Some Sugar on Me | Def Leppard | 1987 |
| 29 | I'm on Fire | Bruce Springsteen | 1985 |
| 30 | Hurts So Good | John Mellencamp | 1982 |
| 31 | I Want to Know What Love Is | Foreigner | 1984 |
| 32 | Walk of Life | Dire Straits | 1985 |
| 33 | Take On Me | a-ha | 1985 |
| 34 | Jessie's Girl | Rick Springfield | 1981 |
| 35 | I'm Gonna Be (500 Miles) | The Proclaimers | 1988 |
| 36 | Livin' on a Prayer | Bon Jovi | 1986 |
| 37 | Uptown Girl | Billy Joel | 1983 |
| 38 | Edge of Seventeen | Stevie Nicks | 1981 |
| 39 | We Didn't Start the Fire | Billy Joel | 1989 |
| 40 | Alone | Heart | 1987 |
| 41 | Against the Wind | Bob Seger | 1980 |
| 42 | I Still Haven't Found What I'm Looking For | U2 | 1987 |
| 43 | Glory Days | Bruce Springsteen | 1985 |
| 44 | Everybody Wants to Rule the World | Tears for Fears | 1985 |
| 45 | Hit Me with Your Best Shot | Pat Benatar | 1980 |
| 46 | Juke Box Hero | Foreigner | 1981 |
| 47 | Working for the Weekend | Loverboy | 1981 |
| 48 | Fast Car | Tracy Chapman | 1988 |
| 49 | Back in Black | AC/DC | 1980 |
| 50 | Heaven | Bryan Adams | 1985 |
| 51 | I Wanna Dance with Somebody (Who Loves Me) | Whitney Houston | 1987 |
| 52 | Purple Rain | Prince | 1984 |
| 53 | With or Without You | U2 | 1987 |
| 54 | Should I Stay or Should I Go | The Clash | 1982 |
| 55 | The Way You Make Me Feel | Michael Jackson | 1987 |
| 56 | Take Me Home Tonight | Eddie Money | 1986 |
| 57 | Smooth Criminal | Michael Jackson | 1988 |
| 58 | Amarillo by Morning | George Strait | 1982 |
| 59 | Thriller | Michael Jackson | 1983 |
| 60 | Wake Me Up Before You Go-Go | Wham! | 1984 |
| 61 | Walking on Sunshine | Katrina & the Waves | 1985 |
| 62 | Any Way You Want It | Journey | 1980 |
| 63 | Man in the Mirror | Michael Jackson | 1988 |
| 64 | For Whom the Bell Tolls | Metallica | 1984 |
| 65 | Bette Davis Eyes | Kim Carnes | 1981 |
| 66 | Everywhere | Fleetwood Mac | 1987 |
| 67 | (I Just) Died in Your Arms | Cutting Crew | 1986 |
| 68 | Bad | Michael Jackson | 1987 |
| 69 | Paradise City | Guns N' Roses | 1988 |
| 70 | Hells Bells | AC/DC | 1980 |
| 71 | Crazy Train | Ozzy Osbourne | 1980 |
| 72 | Against All Odds (Take a Look at Me Now) | Phil Collins | 1984 |
| 73 | Money for Nothing | Dire Straits | 1985 |
| 74 | Waiting for a Girl Like You | Foreigner | 1981 |
| 75 | Welcome to the Jungle | Guns N' Roses | 1987 |
| 76 | The Final Countdown | Europe | 1986 |
| 77 | Danger Zone | Kenny Loggins | 1986 |
| 78 | All Out of Love | Air Supply | 1980 |
| 79 | Right Here Waiting | Richard Marx | 1989 |
| 80 | Can't Fight This Feeling | REO Speedwagon | 1984 |
| 81 | Like a Prayer | Madonna | 1989 |
| 82 | Time After Time | Cyndi Lauper | 1984 |
| 83 | Rock You Like a Hurricane | Scorpions | 1984 |
| 84 | You Give Love a Bad Name | Bon Jovi | 1986 |
| 85 | Run to You | Bryan Adams | 1984 |