80s Hip Hop
80s hip hop took rap from Bronx block parties to the top of the charts. Grandmaster Flash's "The Message", Run-D.M.C.'s "My Adidas", LL Cool J, the Beastie Boys, Eric B. & Rakim and Public Enemy defined it, as drum machines and sampling built the golden age of hip hop by 1988.
Rewind to the best 80s hip hop songs in one free, non-stop playlist from the golden age that started it all. This is where Run-DMC, LL Cool J, Public Enemy, Beastie Boys, and Grandmaster Flash brought turntablism and lyrical fire from the streets to the mainstream. Press play for a continuous stream of old-school 1980s hip hop and rap hits, or build your own playlist of the tracks that built the culture.
This 80s Hip Hop playlist features 202 songs you can stream free, with no sign-up required. Every track plays in order — or shuffle and skip to jump straight to the songs you want to hear.
How this sound was built
Old school: party records and DJs
Hip hop started in the Bronx in the 1970s, with DJs like Kool Herc and Grandmaster Flash looping the drum breaks of funk records at block parties while MCs rhymed over them. The Sugarhill Gang's "Rapper's Delight" put rap on record in 1979, and in 1980 Kurtis Blow's "The Breaks" became one of the first rap singles certified gold.
Early 80s rap records were mostly made with live studio bands copying disco and funk grooves. Then Grandmaster Flash and the Furious Five released "The Message" in 1982, a grim picture of life in the inner city, and proved rap could tell serious stories.
Drum machines and Def Jam
Run-D.M.C. changed everything in 1983. "It's Like That" had just a hard drum machine beat and two voices shouting back and forth, with no disco band at all. They wore black hats, leather and unlaced Adidas instead of stage costumes, and in 1986 their album Raising Hell and its Aerosmith collaboration "Walk This Way" took rap to MTV and white suburban teenagers.
Def Jam, started by Rick Rubin and Russell Simmons, became the decade's key rap label. It launched LL Cool J, whose Radio was Def Jam's first album, and the Beastie Boys, whose Licensed to Ill was the first rap album to top the Billboard 200, in March 1987.
The golden age
From about 1986 to the end of the decade, cheap samplers like the E-mu SP-1200 let producers build tracks from pieces of old soul and funk records. Eric B. & Rakim's Paid in Full introduced a smooth, complex rhyming style that raised the bar for every MC. Public Enemy and their production team, the Bomb Squad, stacked dozens of noisy samples into records that sounded like sirens.
Rap also got political and local. Boogie Down Productions and Public Enemy wrote about racism and violence, and in Los Angeles N.W.A released Straight Outta Compton in 1988, which sold millions with almost no radio play. At the same time De La Soul, Salt-N-Pepa, MC Lyte and DJ Jazzy Jeff & the Fresh Prince showed how wide the music had become.
Women on the mic
Women were part of hip hop from the start, and in the 80s they began selling records on their own terms. Roxanne Shanté was a teenage star by 1984. Salt-N-Pepa scored crossover hits, MC Lyte proved a woman could out-rhyme anyone on the block, and Queen Latifah released her first album, All Hail the Queen, in 1989. Their success opened the door for the wave of female rappers in the 90s.
Into the mainstream
In 1989 the Grammys gave an award for Best Rap Performance for the first time, and MTV launched Yo! MTV Raps in 1988. Tone Lōc's "Wild Thing" and Young MC's "Bust a Move" were Top 10 pop hits. By 1990 hip hop was no longer a New York trend but a national, and soon global, force.
How this playlist works
The playlist above plays every 80s hip hop song in the catalogue, and the 25 tracks below are the essentials, in release order. A few of the decade's best-known rap hits, like "The Message" and "It's Tricky", are on the 80s hits mix. For the club records that grew up alongside rap, see 80s dance music, or build a rap-only mix in the 80s hip hop playlist builder.
25 essential tracks
Listed in release order. Tap a title to play it, or play all 25 in a row.
— Kurtis Blow (1980)
Kurtis Blow was the first rapper signed to a major label, and this playful song about bad luck became one of the first rap singles certified gold. Its funky live band and call-and-response hook show the party style of the old school.
— Grandmaster Flash and the Furious Five (1981)
Grandmaster Flash cut and scratched between records by Chic, Queen, Blondie and others live on three turntables. It was the first record to capture a hip hop DJ's mixing skills, and it showed the turntable was an instrument. Every scratch DJ since owes something to it.
— Run-D.M.C. (1983)
Run-D.M.C.'s debut single had nothing but a stark drum machine beat and Run and D.M.C. trading lines about hard times. Its B-side, "Sucker M.C.'s", was just as influential. The stripped-down sound ended rap's disco era almost overnight, and it put Hollis, Queens, on the rap map.
— Grandmaster Flash & Melle Mel (1983)
An anti-cocaine song with a huge bassline, credited to Grandmaster Flash although Melle Mel made it without him. It was a big club and UK hit, reaching No. 7 there in 1984, and it has been sampled and covered many times.
— Roxanne Shanté (1984)
UTFO's "Roxanne, Roxanne" was about a girl who turned them down. Fourteen-year-old Roxanne Shanté answered it over the same beat with producer Marley Marl, and her record sold hundreds of thousands. Dozens of answer records followed in the "Roxanne Wars".
— Whodini (1984)
A mid-tempo rap about who you can trust, over a smooth R&B groove by producer Larry Smith. Whodini were one of the first rap groups to mix rap with soulful R&B, and their album Escape went platinum. Its opening question about how many real friends we have is still quoted today.
— LL Cool J (1985)
LL Cool J was 17 when Radio, the first album on Def Jam, came out. Rick Rubin's beat is almost all drums and cowbell, and LL's confident, aggressive delivery made him rap's first solo teen star. He would still be having hits in the 90s.
— Doug E. Fresh & The Get Fresh Crew (1985)
Doug E. Fresh, "the Human Beat Box", made drum sounds with his mouth while MC Ricky D, later known as Slick Rick, rhymed. The B-side, "La Di Da Di", became one of the most sampled rap records ever, borrowed by everyone from Snoop Dogg to Miley Cyrus.
— Run-D.M.C. (1986)
A tribute to the sneakers they wore without laces. After Run-D.M.C. had fans hold up their shoes at a Madison Square Garden concert, Adidas signed them to an endorsement deal, the first between a hip hop act and a sportswear company.
— Boogie Down Productions (1986)
KRS-One and DJ Scott La Rock answered MC Shan's claim that hip hop started in Queens, starting the "Bridge Wars". The track insisted on the Bronx as hip hop's birthplace. Scott La Rock was shot and killed in 1987, soon after their debut album.
— Beastie Boys (1986)
A tall tale of how the Beastie Boys met, over a drum machine beat that was famously played backwards. It came from Licensed to Ill, produced by Rick Rubin, which in 1987 became the first rap album to reach No. 1 on the Billboard 200.
— Eazy-E (1987)
Ice Cube wrote it, Dr. Dre produced it, and Eazy-E rapped it on his own Ruthless Records. Its matter-of-fact tales of life in Compton became the template for West Coast gangsta rap and led directly to N.W.A. A remixed version later appeared on N.W.A and the Posse.
— Salt-N-Pepa (1987)
First released as a B-side, it took off after a remix by a San Francisco DJ. Its buzzing synth riff and dance beat took it to No. 19 on the Hot 100, and it was nominated for the first Grammy for Best Rap Performance. Salt-N-Pepa became the first big female rap group.
— Eric B. & Rakim (1987)
Rakim's calm, intricate rhymes over Eric B.'s bass-heavy beat changed what an MC could sound like. The British duo Coldcut's "Seven Minutes of Madness" remix turned it into a UK dance hit. The album Paid in Full is on most lists of the greatest rap albums.
— Kool Moe Dee (1987)
Kool Moe Dee, an old-school veteran, took shots at LL Cool J and the new generation, and the album cover showed a Jeep crushing a red Kangol hat like LL's. Their feud was one of the decade's most famous rap rivalries.
— Public Enemy (1987)
The Bomb Squad built it around a screeching horn sample from The J.B.'s, James Brown's band, with Chuck D's booming voice and Terminator X cutting on the turntables. It was the first sign of the dense, noisy sound of It Takes a Nation of Millions to Hold Us Back.
— N.W.A (1988)
The title track of N.W.A's debut introduces Ice Cube, MC Ren and Eazy-E over Dr. Dre's fast, hard beat. MTV refused to play the video, and radio avoided the group, yet the album sold millions and put Los Angeles on the rap map.
— Big Daddy Kane (1988)
Big Daddy Kane, from Marley Marl's Juice Crew, combined smooth charm with fast, complex rhymes. Built on a sample of The Emotions' "Blind Alley", this is the highlight of his debut, Long Live the Kane. Kane was known for his sharp suits and slick stage moves.
— MC Lyte (1988)
MC Lyte tells off an unfaithful boyfriend with cool, cutting rhymes. Her Lyte as a Rock is often called the first full-length album by a solo female rapper, and she became one of the most respected MCs of the era.
— Slick Rick (1988)
Slick Rick tells a bedtime story about a teenage robber whose life goes wrong, voicing every character himself. From The Great Adventures of Slick Rick on Def Jam, it is one of rap's greatest story songs and has been sampled many times.
— DJ Jazzy Jeff & The Fresh Prince (1988)
Will Smith's comic stories about embarrassing parents won the first Grammy for Best Rap Performance. Because the award was not shown on TV, the duo boycotted the ceremony. Smith went on to star in The Fresh Prince of Bel-Air and became one of the biggest film stars in the world.
— Tone Lōc (1988)
Tone Lōc's gravelly voice over a Van Halen guitar sample, with lyrics co-written by Young MC. It reached No. 2 on the Hot 100, and his album Loc-ed After Dark went to No. 1 on the Billboard 200 in 1989.
— De La Soul (1989)
De La Soul, with producer Prince Paul, brought humour and colourful, collage-like samples to rap. Built on Funkadelic's "(Not Just) Knee Deep", it went to No. 1 on the R&B chart. Their album 3 Feet High and Rising is a landmark.
— Young MC (1989)
A friendly, funny song about finding your nerve on the dance floor, with Flea of the Red Hot Chili Peppers on bass. It reached No. 7 on the Hot 100 and won Young MC the Grammy for Best Rap Performance.
— Biz Markie (1989)
Biz Markie sings the chorus badly on purpose, a joke that made it one of the most loved rap songs ever. It reached No. 9 on the Hot 100. The song borrows its melody from Freddie Scott's "(You) Got What I Need".
Where to go next
Frequently Asked Questions
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| # | Title | Artist | Year |
|---|---|---|---|
| 1 | The Message | Grandmaster Flash and the Furious Five | 1982 |
| 2 | White Lines (Don't Don't Do It) | Grandmaster Flash & Melle Mel | 1983 |
| 3 | It's Nasty (Genius of Love) | Grandmaster Flash and the Furious Five | 1981 |
| 4 | The Adventures of Grandmaster Flash on the Wheels of Steel | Grandmaster Flash and the Furious Five | 1981 |
| 5 | New York New York | Grandmaster Flash and the Furious Five | 1983 |
| 6 | Beat Street Breakdown | Grandmaster Melle Mel | 1984 |
| 7 | Step Off | Grandmaster Melle Mel and the Furious Five | 1984 |
| 8 | Freedom | Grandmaster Flash and the Furious Five | 1980 |
| 9 | Birthday Party | Grandmaster Flash and the Furious Five | 1980 |
| 10 | Showdown | The Sugarhill Gang & The Furious Five | 1981 |
| 11 | Planet Rock | Afrika Bambaataa & Soulsonic Force | 1982 |
| 12 | Looking for the Perfect Beat | Afrika Bambaataa & Soulsonic Force | 1983 |
| 13 | Renegades of Funk | Afrika Bambaataa & Soulsonic Force | 1983 |
| 14 | Frantic Situation | Afrika Bambaataa & Soulsonic Force | 1984 |
| 15 | The Breaks | Kurtis Blow | 1980 |
| 16 | Basketball | Kurtis Blow | 1984 |
| 17 | Hard Times | Kurtis Blow | 1980 |
| 18 | 8 Million Stories | Kurtis Blow | 1984 |
| 19 | If I Ruled the World | Kurtis Blow | 1985 |
| 20 | Throughout Your Years | Kurtis Blow | 1980 |
| 21 | The Deuce | Kurtis Blow | 1981 |
| 22 | Tough | Kurtis Blow | 1982 |
| 23 | Party Time? | Kurtis Blow | 1983 |
| 24 | AJ Scratch | Kurtis Blow | 1984 |
| 25 | It's Like That | Run-D.M.C. | 1983 |
| 26 | Sucker M.C.'s (Krush-Groove 1) | Run-D.M.C. | 1983 |
| 27 | Hard Times | Run-D.M.C. | 1983 |
| 28 | Rock Box | Run-D.M.C. | 1984 |
| 29 | King of Rock | Run-D.M.C. | 1985 |
| 30 | You Talk Too Much | Run-D.M.C. | 1985 |
| 31 | Can You Rock It Like This | Run-D.M.C. | 1985 |
| 32 | My Adidas | Run-D.M.C. | 1986 |
| 33 | Peter Piper | Run-D.M.C. | 1986 |
| 34 | It's Tricky | Run-D.M.C. | 1987 |
| 35 | Proud to Be Black | Run-D.M.C. | 1986 |
| 36 | You Be Illin' | Run-D.M.C. | 1986 |
| 37 | Run's House | Run-D.M.C. | 1988 |
| 38 | Mary, Mary | Run-D.M.C. | 1988 |
| 39 | Beats to the Rhyme | Run-D.M.C. | 1988 |
| 40 | Pause | Run-D.M.C. | 1989 |
| 41 | I Can't Live Without My Radio | LL Cool J | 1985 |
| 42 | Rock the Bells | LL Cool J | 1985 |
| 43 | I Need a Beat | LL Cool J | 1984 |
| 44 | Dear Yvette | LL Cool J | 1985 |
| 45 | I'm Bad | LL Cool J | 1987 |
| 46 | I Need Love | LL Cool J | 1987 |
| 47 | Go Cut Creator Go | LL Cool J | 1987 |
| 48 | Jack the Ripper | LL Cool J | 1988 |
| 49 | Going Back to Cali | LL Cool J | 1988 |
| 50 | I'm That Type of Guy | LL Cool J | 1989 |
| 51 | Big Ole Butt | LL Cool J | 1989 |
| 52 | Jingling Baby | LL Cool J | 1989 |
| 53 | One Shot at Love | LL Cool J | 1989 |
| 54 | Hold It Now, Hit It | Beastie Boys | 1986 |
| 55 | Paul Revere | Beastie Boys | 1986 |
| 56 | Brass Monkey | Beastie Boys | 1987 |
| 57 | (You Gotta) Fight for Your Right (To Party!) | Beastie Boys | 1986 |
| 58 | No Sleep Till Brooklyn | Beastie Boys | 1986 |
| 59 | Slow Ride | Beastie Boys | 1986 |
| 60 | Girls | Beastie Boys | 1987 |
| 61 | She's Crafty | Beastie Boys | 1986 |
| 62 | Hey Ladies | Beastie Boys | 1989 |
| 63 | Shake Your Rump | Beastie Boys | 1989 |
| 64 | Shadrach | Beastie Boys | 1989 |
| 65 | Looking Down the Barrel of a Gun | Beastie Boys | 1989 |
| 66 | Public Enemy No. 1 | Public Enemy | 1987 |
| 67 | You're Gonna Get Yours | Public Enemy | 1987 |
| 68 | Rebel Without a Pause | Public Enemy | 1987 |
| 69 | Bring the Noise | Public Enemy | 1987 |
| 70 | Don't Believe the Hype | Public Enemy | 1988 |
| 71 | Night of the Living Baseheads | Public Enemy | 1988 |
| 72 | Black Steel in the Hour of Chaos | Public Enemy | 1989 |
| 73 | Fight the Power | Public Enemy | 1989 |
| 74 | She Watch Channel Zero?! | Public Enemy | 1988 |
| 75 | Prophets of Rage | Public Enemy | 1988 |
| 76 | Cold Lampin' with Flavor | Public Enemy | 1988 |
| 77 | Terminator X to the Edge of Panic | Public Enemy | 1988 |
| 78 | Straight Outta Compton | N.W.A | 1988 |
| 79 | Fuck tha Police | N.W.A | 1988 |
| 80 | Gangsta Gangsta | N.W.A | 1988 |
| 81 | Express Yourself | N.W.A | 1989 |
| 82 | Dopeman | N.W.A | 1987 |
| 83 | 8 Ball | N.W.A | 1988 |
| 84 | Quiet on tha Set | N.W.A | 1988 |
| 85 | Something 2 Dance 2 | N.W.A | 1988 |
| 86 | Panic Zone | N.W.A | 1987 |
| 87 | Boyz-n-the-Hood | Eazy-E | 1987 |
| 88 | Eazy-Er Said Than Dunn | Eazy-E | 1988 |
| 89 | We Want Eazy | Eazy-E | 1988 |
| 90 | No More ?'s | Eazy-E | 1988 |
| 91 | Radio | Eazy-E | 1988 |
| 92 | South Bronx | Boogie Down Productions | 1986 |
| 93 | The Bridge Is Over | Boogie Down Productions | 1987 |
| 94 | Criminal Minded | Boogie Down Productions | 1987 |
| 95 | Dope Beat | Boogie Down Productions | 1987 |
| 96 | My Philosophy | Boogie Down Productions | 1988 |
| 97 | Stop the Violence | Boogie Down Productions | 1988 |
| 98 | I'm Still #1 | Boogie Down Productions | 1988 |
| 99 | Jack of Spades | Boogie Down Productions | 1989 |
| 100 | You Must Learn | Boogie Down Productions | 1989 |
| 101 | Why Is That? | Boogie Down Productions | 1989 |
| 102 | Part-Time Suckers | Boogie Down Productions | 1988 |
| 103 | Children's Story | Slick Rick | 1988 |
| 104 | Teenage Love | Slick Rick | 1988 |
| 105 | Hey Young World | Slick Rick | 1989 |
| 106 | Mona Lisa | Slick Rick | 1988 |
| 107 | The Ruler's Back | Slick Rick | 1988 |
| 108 | Treat Her Like a Prostitute | Slick Rick | 1988 |
| 109 | The Show | Doug E. Fresh & The Get Fresh Crew | 1985 |
| 110 | La Di Da Di | Doug E. Fresh & Slick Rick | 1985 |
| 111 | All the Way to Heaven | Doug E. Fresh & The Get Fresh Crew | 1986 |
| 112 | Keep Risin' to the Top | Doug E. Fresh & The Get Fresh Crew | 1988 |
| 113 | Roxanne's Revenge | Roxanne Shanté | 1984 |
| 114 | Bite This | Roxanne Shanté | 1985 |
| 115 | Queen of Rox (Shanté Rox-On) | Roxanne Shanté | 1985 |
| 116 | Have a Nice Day | Roxanne Shanté | 1987 |
| 117 | Go on Girl | Roxanne Shanté | 1988 |
| 118 | Live on Stage | Roxanne Shanté | 1989 |
| 119 | Roxanne, Roxanne | UTFO | 1984 |
| 120 | Leader of the Pack | UTFO | 1985 |
| 121 | Ya Cold Wanna Be with Me | UTFO | 1987 |
| 122 | Fairytale Lover | UTFO | 1986 |
| 123 | Push It | Salt-N-Pepa | 1987 |
| 124 | Tramp | Salt-N-Pepa | 1986 |
| 125 | My Mic Sounds Nice | Salt-N-Pepa | 1986 |
| 126 | I'll Take Your Man | Salt-N-Pepa | 1986 |
| 127 | Shake Your Thang | Salt-N-Pepa | 1988 |
| 128 | Get Up Everybody (Get Down) | Salt-N-Pepa | 1988 |
| 129 | Expression | Salt-N-Pepa | 1989 |
| 130 | Chick on the Side | Salt-N-Pepa | 1987 |
| 131 | Ain't No Half-Steppin' | Big Daddy Kane | 1988 |
| 132 | Raw | Big Daddy Kane | 1987 |
| 133 | Smooth Operator | Big Daddy Kane | 1989 |
| 134 | Set It Off | Big Daddy Kane | 1988 |
| 135 | I Get the Job Done | Big Daddy Kane | 1989 |
| 136 | Warm It Up, Kane | Big Daddy Kane | 1989 |
| 137 | Wrath of Kane | Big Daddy Kane | 1988 |
| 138 | Long Live the Kane | Big Daddy Kane | 1988 |
| 139 | Eric B. Is President | Eric B. & Rakim | 1986 |
| 140 | My Melody | Eric B. & Rakim | 1986 |
| 141 | I Know You Got Soul | Eric B. & Rakim | 1987 |
| 142 | Paid in Full | Eric B. & Rakim | 1987 |
| 143 | Move the Crowd | Eric B. & Rakim | 1987 |
| 144 | Follow the Leader | Eric B. & Rakim | 1988 |
| 145 | Microphone Fiend | Eric B. & Rakim | 1988 |
| 146 | Lyrics of Fury | Eric B. & Rakim | 1988 |
| 147 | The R | Eric B. & Rakim | 1988 |
| 148 | I Cram to Understand U (Sam) | MC Lyte | 1988 |
| 149 | 10% Dis | MC Lyte | 1988 |
| 150 | Paper Thin | MC Lyte | 1988 |
| 151 | Cha Cha Cha | MC Lyte | 1989 |
| 152 | Cappucino | MC Lyte | 1989 |
| 153 | Stop, Look, Listen | MC Lyte | 1989 |
| 154 | Friends | Whodini | 1984 |
| 155 | Five Minutes of Funk | Whodini | 1984 |
| 156 | Freaks Come Out at Night | Whodini | 1984 |
| 157 | Magic's Wand | Whodini | 1982 |
| 158 | Funky Beat | Whodini | 1986 |
| 159 | One Love | Whodini | 1986 |
| 160 | Big Mouth | Whodini | 1985 |
| 161 | I'm a Ho | Whodini | 1986 |
| 162 | Jail House Rap | The Fat Boys | 1984 |
| 163 | Can You Feel It? | The Fat Boys | 1984 |
| 164 | Stick 'Em | The Fat Boys | 1984 |
| 165 | Wipeout | The Fat Boys & The Beach Boys | 1987 |
| 166 | The Twist (Yo, Twist) | The Fat Boys & Chubby Checker | 1988 |
| 167 | All You Can Eat | The Fat Boys | 1985 |
| 168 | Pump It Up | The Fat Boys | 1985 |
| 169 | Girls Ain't Nothing But Trouble | DJ Jazzy Jeff & The Fresh Prince | 1986 |
| 170 | Parents Just Don't Understand | DJ Jazzy Jeff & The Fresh Prince | 1988 |
| 171 | Brand New Funk | DJ Jazzy Jeff & The Fresh Prince | 1988 |
| 172 | A Nightmare on My Street | DJ Jazzy Jeff & The Fresh Prince | 1988 |
| 173 | I Think I Can Beat Mike Tyson | DJ Jazzy Jeff & The Fresh Prince | 1989 |
| 174 | Wild Thing | Tone Lōc | 1988 |
| 175 | Funky Cold Medina | Tone Lōc | 1989 |
| 176 | I Got It Goin' On | Tone Lōc | 1989 |
| 177 | Bust a Move | Young MC | 1989 |
| 178 | Principal's Office | Young MC | 1989 |
| 179 | I Come Off | Young MC | 1989 |
| 180 | Non Stop | Young MC | 1989 |
| 181 | Me Myself and I | De La Soul | 1989 |
| 182 | Eye Know | De La Soul | 1989 |
| 183 | The Magic Number | De La Soul | 1989 |
| 184 | Say No Go | De La Soul | 1989 |
| 185 | Buddy | De La Soul | 1989 |
| 186 | Plug Tunin' | De La Soul | 1988 |
| 187 | Potholes in My Lawn | De La Soul | 1988 |
| 188 | Just a Friend | Biz Markie | 1989 |
| 189 | Vapors | Biz Markie | 1988 |
| 190 | Make the Music with Your Mouth, Biz | Biz Markie | 1986 |
| 191 | Nobody Beats the Biz | Biz Markie | 1987 |
| 192 | Spring Again | Biz Markie | 1989 |
| 193 | Go See the Doctor | Kool Moe Dee | 1986 |
| 194 | Wild Wild West | Kool Moe Dee | 1987 |
| 195 | How Ya Like Me Now | Kool Moe Dee | 1987 |
| 196 | No Respect | Kool Moe Dee | 1988 |
| 197 | I Go to Work | Kool Moe Dee | 1989 |
| 198 | Unity | Afrika Bambaataa & James Brown | 1984 |
| 199 | Are You Ready for Freddy | The Fat Boys | 1988 |
| 200 | Supersonic | J.J. Fad | 1988 |
| 201 | Walk This Way | Run-D.M.C. | 1986 |
| 202 | White Lines (Don't Don't Do It) | Grandmaster Flash | 1983 |